Graphic Design and Architecture: A Collaborative Way

Graphic Design and Architecture: A Collaborative Way

Clearly, graphic designers are not architects, but collaborative projects between these two fields of knowledge, which intersect in their details, can work well.

Creative industry as a sector has evolved, and many people are now in new fields. If you’re collaborating, you can move quickly and we’ve covered that here. The trend is to be collaborative, and very different from 25 years ago, when you should be a graphic designer alone doing layout and paper weights or an architect isolated in an office running autocad.

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“It’s a big step from graphic design to architecture, but it’s only one step,” says Thomas Widdershoven, co-founder of Dutch studio Thonik, which has just moved into a self-designed studio in Amsterdam.

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Studio thonik Studio Office / Studio thonik + MMX architecten. Image © Ossip

The building in question – which is entirely draped in black and white stripes – took 12 years to build and presented several legislative and design challenges along the way. According to Widdershoven, it is rare for design studios in Amsterdam to own their studio buildings, which means it was difficult for them to find a suitable space to buy. Instead, they got a piece of land owned by the city government, which had been rejected by the usual real estate developers.

First, Widdershoven says the studio had to convince authorities to let them build an extra foot on the sidewalk, to assert some extra space for the building. Fortunately, as the road is located on an old railroad track, many of the other nearby buildings aren’t fully aligned either, so they made a compelling case.

Then they started the design process, working closely with MMX Architects so they had an experienced partner to share ideas and to ensure their design was possible.

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Studio thonik Studio Office / Studio thonik + MMX architecten. Image © Ossip

As graphic designers, Widdershoven and his partner, Gonnissen, based the entire building on a grid, discarding the idea of ​​internal columns, which would disturb the rhythm of the glass and walls. They moved the fire escape to the outside of the building to add interior space, creating a diagonal line. Floor-to-ceiling corner windows were another essential part of the design. Would the building be so iconic if it wasn’t for that design look?

The duo also took the existing architecture as a reference for their own project. Gonnissen says they thought a lot about the buildings they saw during their trips to Tokyo, where unusually shaped office blocks are often fitted into tiny spaces. “We had a very small plot of land and we wanted to do something special with it”, she says. “We wanted to create something that could really stand out in some way as an icon, but also blend in with its surroundings. We wanted to reach both sides, and

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L&C Graphic Design Student Avalon Eales of Glen Carbon Wins Mural Competition



L&C Graphic Design Student Avalon Eales of Glen Carbon Wins Mural Competition | RiverBender.com

























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Programming Glitch Left American Airlines With 12,000 Flights in July Without Pilots

A programming error with the system used to roster flights to pilots at American Airlines allowed flight crew left the Dallas Fort Worth-based carrier with 12,000 flights in July without any pilots rostered to actually fly them.

The glitch appears to have occurred on Friday when the roster software, which is called the trip trade with open time systemerroneously allowed pilots to drop blocks of flights known as ‘sequences’ which had already been assigned to them back into the system.

The error was apparently picked up by hundreds of pilots who collectively dropped 2,000 sequences back into the trading system. The dropped sequences accounted for around 12,000 flights or 37,000 flying hours, according to insiders quoted by Twitter source @xJonNYC.

As American Airlines scrambled to rectify the issue, the union that represents AA’s pilots pointed the finger of blame at “mismanagement” within the airline. The Allied Pilots Association suggested it would use the fiasco as a bargaining trip in contract negotiations to win incentives for pilots to work over holiday periods.

In a statement, a spokesperson for American confirmed the glitch, saying: “Our pilot trip trading system experienced a technical issue. As a result of this technical issue, certain trip trading transactions were able to be processed when it shouldn’t have been permitted.”

“We have restored the vast majority of the affected trips and do not anticipate any operational impact because of this issue,” the statement continued.

All eyes are on the major US airlines heading into the Independence Day weekend over fears that the slightest disruption could unravel into a major operational meltdown.

American Airlines recently offered pilots a pay rise of up to 16.9 percent as part of a two-year offer. Negotiations with the Allied Pilots Association continue and the deal has not yet been accepted by pilots at the carrier.

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Mateusz Maszczynski


Mateusz Maszczynski honed his skills as an international flight attendant at the most prominent airline in the Middle East and has been flying throughout the COVID-19 pandemic for a well-known European airline. Matt is passionate about the aviation industry and has become an expert in passenger experience and human-centric stories. Always keeping an ear close to the ground, Matt’s industry insights, analysis and news coverage is frequently relied upon by some of the biggest names in journalism.

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Austin Peay State University graphic design senior Katie Boyer spending summer interning at renowned Chautauqua Institution – Clarksville Online

Austin Peay State University - APSUClarksville, TN – An Austin Peay State University (APSU) graphic design student has landed a summer internship at the renowned Chautauqua Institution in New York.

Katie Boyer – who is pursuing a Bachelor of Fine Arts in Graphic Design at Austin Peay State University and last year earned APSU’s inaugural Hazel Smith Summer Research Fellowship – will be a gallery assistant for Chautauqua Visual Arts (CVA) Galleries through the beginning of August.




“This opportunity means quite a lot to me,” Boyer said. “It is a wonderful chance for me to gain more hands-on experience in the gallery world.”

Boyer joined the CVA team in early June, and her responsibilities include working with staff to install and remove exhibitions, helping in the CVA Craft Gallery, and packing and shipping artwork.

CVA is part of the Chautauqua Institution in Chautauqua, New York, and is centered on four pillars (School of Art, Galleries, Lecture Series & Events, and Enrichment).

Austin Peay State University senior Katie Boyer.  (APSU)
Austin Peay State University senior Katie Boyer. (APSU)

Boyer is the first Austin Peay State University student to spend the summer at Chautauqua since Khari Turner and Ashanté Kindle earned residencies at the School of Art in 2019.

“I have also never done anything quite like this before,” Boyer said. “The traveling experience alone is something I have never done by myself, and it is just as thrilling – and nerve-wracking – as the internship.

“This is a big milestone for me and my future, and I can’t wait to see what all it has in store for me,” she added.

Boyer’s internship is courtesy of the Center of Excellence for the Creative Artsausi and the Six Talents Foundation.

She’s also thankful for APSU’s Michael Dickins, who has guided her through major projects at APSU – such as establishing an online database of the university’s art collection – since the fall of 2020. Dickins is curator and director of The New Gallery and University Collections at Austin Peay.

“This opportunity would not have been possible without him,” Boyer said. “He was the one who introduced this position to me and who really advocated for me being here.”

During the internship, she’s looking forward to opening nights of the gallery’s exhibitions and installing and removing the exhibits.


“It’s very rewarding to see an exhibition complete and to see people’s reactions to the works,” she said. “The physical labor that goes into putting an exhibition together is one of my favorite parts because you get to be up close and personal with all the amazing artworks. It is very fulfilling to see all that hard work pay off when the exhibition is completely installed.”

After Boyer returns to Clarksville in August, she’ll complete her senior year at Austin Peay State University. She’s also eager to have “an amazing final marching band season” with the Governors Own Marching Band and creating her senior graphic design showcase.

“My goal is to make this last year at Austin Peay the best one yet.”

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Ahead of BET Awards, Lil Nas X Alleges ‘Painful’ History With Network

Lil Nas X’s criticism of BET after not garnering any nominations at this year’s BET Awards has arguably overshadowed the awards themselves. Nas has made his disapproval plentifully clear, from noting “the bigger problem of homophobia in the black community” earlier this month, to the release of the song “Late to Da Party” on Friday complete with a “Fuck BET” chorus line and album artwork featuring a urine-soaked BET Award in a toilet.

The surprise shutout, however, wasn’t the beginning of any skirmish between Lil Nas X and BET, but rather the latest in an already shaky relationship over a year in the making. As the grammy-winning rapper and multiple members of his team claim to Rolling Stones, before getting the go-ahead to perform at last year’s award show — where Lil Nas X would make headlines after kissing one of his backing dancers during his performance — BET was hesitant when booking Nas, asking for his team’s confirmation that he wasn’t a “satanist or devil worshiper,” the rapper claims. And after Nas finished his performance, the kiss seems left certain network producers upset.

“My relationship with BET has been painful and strained for quite some time. It didn’t start with this year’s nominations like most people might think,” Lil Nas X tells Rolling Stones in a statement. “They did let me perform on their show last year, but only after [I gave] assurances that I was not a satanist or devil worshiper, and that my performance would be appropriate for their audience.”

In a statement to Rolling Stones, a BET spokesperson said that the “summation of events around Lil Nas X’s 2021 BET Awards performance is simply untrue.” “Since last year’s performance, we have been in touch to work on other projects,” the rep adds. “We are still excited about his previous performances and continue to wish him well. But today, we are focused on culture’s biggest night and delivering history-making moments for fans worldwide.”

Nas’s statement marks the latest and most complex in his barbs at BET. After the network announced its nominees for Sunday’s award show, Nas posted several since-deleted tweets criticizing his lack of nominations despite releasing several hits off one of the most acclaimed albums of last year. “Thank you BET awards. An outstanding zero nominations again,” he tweeted. “Black excellence!”

In another since-deleted tweet, he wrote, “I just feel like black gay ppl have to fight to be seen in this world and even when we make it to the top mfs try to pretend we are invisible.”

BET issued a statement following Nas’s criticism, referring to his Best New Artist nomination in 2020 and defending this year’s nominations by noting that it’s their voting body and not the network itself that selects the nominees. “BET’s Voting Academy … is comprised of an esteemed group of nearly 500 entertainment professionals in the fields of music, television, film, digital marketing, sports journalism, public relations, influencers, and creative arts,” the network said. “No one from

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